Behind
the creature, in the depths of the wood, shafts of sunlight from the canopy
above struck motes of dust, or possibly small insects, giving the whole picture
a sense of realism that was usually lacking from this type of art. It was
almost as if the artist had stepped into another world, armed with a digital
camera, and taken photos of the wildlife.
But
that was impossible, as the creature depicted in the picture was a unicorn and
they do not exist. Yet, the picture almost made you believe that they did and
that they should…
The
rest of the pictures in the gallery were similar, each showing a creature of
myth or legend, depicted in such a way that it was like walking through a room
of windows, with each picture showing a different view of a world not our own.
Here a faun perched on a tree stump, his face ruddy with drink, proposing a
toast with an overflowing tankard to a group of shadowy figures gathered round
a campfire. There a scaled wyvern curled protectively and alertly around a
clutch of eggs, their shells the colour of a summer sky…
The exhibition was called ‘From Life?’ and, according to the pamphlet she had been given by a girl wearing too much make-up on the door, ‘showcased the amazing skills of an artist who has mastered the nuances and subtleties of the medium of digital art.’ As she had meandered about the gallery, examining the pictures, she had overheard the phrase ‘photo-realistic’ mentioned several times. She had to admit, the phrase fitted.
Whilst
she had admired each picture individually, there was something about the
unicorn that kept drawing her back. She stepped closer, her lips pursed.
A
deep male voice interrupted her thoughts, ‘I’m guessing that you quite like my
picture, then?’ it asked.
Carla
turned. Standing behind her was a tubby, bearded man in an obviously hired
suit. He looked slightly uncomfortable, as though he was not used to talking to
women, or people, for that matter.
‘Yes,’
she said, ‘I do. It’s perfect. Exactly what I imagine a unicorn would really
look like. You’re very talented.’ The man looked even more uncomfortable.
‘It’s
nothing, really’ he said, flushing slightly, ‘Anyone could have produced this
picture, with the right equipment.’
Carla
turned back to the picture.
‘But
to actually produce a picture like this, and the others on show here, takes
more than just “the right equipment”.’ She said, ‘You have to be able to see
something in your mind, before you can transfer it into another medium,
surely?’
The
man looked even more uncomfortable, if that was possible, and started to
nervously sidle away.
‘Sometimes,
they just come to me…’ he muttered, before making a hasty exit.
Carla
turned back to the picture of the unicorn. Yes, she decided, I must have this…
At
the front desk, an eager young girl in a baggy white t-shirt explained that
‘due to the versatility of this particular digital art form, whilst the artist
keeps the original files, we can produce copies of the artwork at any size and
for considerably less cost than buying an original piece of art’. She then
launched into a detailed explanation of the type of computer equipment
necessary to produce work of this nature.
Carla
gritted her teeth as the techno-babble washed over her. She thrust her credit
card like a talisman at the eager young thing, an action that caused the girl
to finally stop talking and produce a typed order form.
Carla
selected the size of her copy, chose the type of frame and arranged delivery.
Her
apartment was sleek and clean, almost utilitarian, and a picture like this
would offer an ideal counterpoint to the modernistic space she dwelled in.
Besides, she had a large blank wall space that needed filling.
A
few days later, the picture arrived and, true to their promise, the people form
the gallery professionally mounted the picture exactly where she wanted it. She
stood back and admired it, which at 6’ x 4’, was considerably larger than the
one shown in the gallery. It suited the space perfectly, looking like it had
always meant to hang there. Now it looked like her fourth-storey apartment had
a window into a sylvan glade, occupied by a mythical beast.
Who
needs a wardrobe, she thought, smirking.
Over
the next couple of days, every time she passed the picture, she paused. There
was something about the picture that was niggling at her, like a loose tooth.
Something out of place, slightly off kilter, like a warm toilet seat in an
empty house.
But,
for the life of her, she could not work out what.
Night
after night, she found herself sitting pensively in a chair opposite the
picture, scouring it with her eyes, trying to see what her mind was trying to
tell her was wrong…
Finally,
after spending many sleepless nights tossing and turning, as it preyed on her
mind, it came to her. She quickly threw back the covers and padded barefoot
into the lounge. Flicking the lights on, she rummaged through her desk drawers,
searching until she found what she was looking for. A magnifying glass.
Moving
across to the picture, she dragged an armchair close to the wall beneath the
picture and clambered up onto its soft, yielding surface.The eye. There was something different…no, not different…more…about the unicorn’s eye. Balancing unsteadily on the arms of the chair, Carla peered through the magnifying glass at the picture. There was a shape there, very small, but she could just make out what it was…
Realisation struck her like a blow and the magnifying glass fell from her now numb fingers. She slowly collapsed into the soft embrace of the chair, hugging her knees tightly.
She then recollected the exact words the artist had said to her, what seemed like such a long time ago, and realised that every word he had spoken was true.
For what she had seen, reflected in the eye of the unicorn, was the tiny figure of a bearded man, holding a camera…
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